Developed at Sundance White Oak and Robert Wilson's Watermill Center A confrontational look at the roots of American acting, the piece juxtaposes early 20th century American dramatic vaudeville and the writings of Aristotle, Appia, Stanislavski, Brecht, Artaud, Grotowski, Brook, and Bogart. Both questioning and celebrating the strange and extraordinary development of acting. (Fall 2008, NY) Article from American Theater Magazine (January 2008)
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